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| Magnitogorsk State Conservatory (Academy) M.I. Glinka | |
| international name |
Magnitogorsk State Conservatory (academy) named after M. I. Glinka |
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| Former names |
Magnitogorsk Musical and Pedagogical Institute. M. I. Glinka |
| Year of foundation | |
| Year of reorganization | |
| Rector | |
| Location |
on google map |
| Legal address |
Russia, 455036, Magnitogorsk, st. Gryaznova, 22 |
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| Logo | |
Magnitogorsk State Conservatory (Academy) named after M. I. Glinka- higher musical educational institution in Magnitogorsk. Named after the great Russian composer Mikhail Ivanovich Glinka. Member of the "Association of Musical Educational Institutions", laureate of the National Competition "Best training centers Russian Federation - 2011”, laureate of the “Window to Russia” competition, participant of the national register “Leading educational institutions Russia".
History
The Magnitogorsk Conservatory was formed from the Magnitogorsk Musical College. M. I. Glinka, discovered in Magnitogorsk under construction in the city of S. G. Eidinov. Thanks to its creators, including B. L. Yavorsky, the Magnitogorsk Musical College named after M. I. Glinka became known far beyond the borders of Magnitogorsk and existed until the beginning of the 90s.
At the initiative of Alexander Nikolaevich Yakupov and his associates - Natalya Nikolaevna Veremeenko, Mark Moiseevich Berlyanchik and with the support of the entire team, the Magnitogorsk Musical College named after M.I. Glinka was transformed into the Magnitogorsk State Musical and Pedagogical Institute. M. I. Glinka (decree of the head of the administration of the Chelyabinsk region No. 335 of September 15, 1993). In 1996, the institute received the status of a conservatory, and after some time - an academy.
Leaders
- Polyakov, M. I.
- Eidinov, Semyon Grigorievich (director of the music school, -)
- Yakupov, Alexander Nikolaevich (director of the music school, director of the music college, rector of the musical and pedagogical institute, rector of the conservatory -)
- Veremeenko, Natalya Nikolaevna (Rector of the Conservatory, c).
Structure
Magnitogorsk State Conservatory im. M. I. Glinka is a new type of university complex that combines three levels of professional music education - primary, secondary and higher, as well as postgraduate studies in the specialty 17.00.02 "Musical Art" and an assistant internship in the specialties "The Art of Vocal Performance", "The Art of Conducting", "The Art of Musical and Instrumental Performance".
Each educational level is associated with subsequent continuity in education, common priority goals, contractual obligations.
The Conservatory also includes the Choreographic School, from the day of its foundation, more than 30 ballet dancers have graduated. Graduates are in demand in many theaters of the country: in Chelyabinsk, Magnitogorsk, Moscow, Krasnodar, Samara, Yekaterinburg, Astrakhan.
Studying proccess
Faculties
- Musicological and performing
- Faculty of Theatrical, Choreographic and Musical Education
Branches
- Department of International Students
- Department of distance learning
Chairs
- special piano
- concertmaster skills and chamber ensemble
- orchestral string instruments
- orchestral wind and percussion instruments
- orchestral folk instruments
- academic singing
- theory and history of music
- pop music art
- history, performing arts theory and music pedagogy
- music education
- philosophical, humanitarian and socio-economic disciplines
At the Magnitogorsk State Conservatory (Academy) named after M. I. Glinka acts (from) Joint Council No. DM 210.008.01 for the defense of dissertations for the degree of Doctor of Art History and the degree of Candidate of Art History in the scientific specialty 17.00.02 "Musical Art".
The Council was formed by the Magnitogorsk State Conservatory (Academy) named after. M. I. Glinka, Ural State Conservatory (Academy) them. M. P. Mussorgsky and Ufimskaya state academy arts them. Zagira Ismagilova.
The Council was created in order to provide the necessary conditions for optimizing the training of scientific and pedagogical personnel of musical art in the regions of the Greater Urals and Western Siberia. The Council accepts dissertations for defense, regardless of the place of their preparation and the organization in which the applicant works.
Over the past time (1997-2012), 87 dissertations have been defended in the council functioning at the Magnitogorsk Conservatory, including 6 doctoral ones. The topics can be divided into eight areas:
- questions of philosophy and aesthetics of music, problems of theoretical musicology;
- problems of historical musicology;
- questions of musical and performing arts (instrumental and vocal, including choral); problems of training musicians-performers;
- national musical folklore of the peoples of the Urals and Siberia;
- interaction of musical cultures of regions of Russia, foreign countries;
- Russian sacred music;
- problems of development of the system of music education;
- features of the development of musical culture and art in the regions of Russia (musical local history).
The largest number of dissertations were defended in the third (25 papers), first (19 papers) and second (12 papers) areas.
The geography of applicants who defended dissertations in the Magnitogorsk Dissertation Council is extensive: in addition to Magnitogorsk, these are Ufa, Yekaterinburg, Perm, Saratov, Orenburg, Chelyabinsk, Omsk, Tyumen, Moscow, St. Petersburg, Togliatti, Surgut, Sochi, Tula, as well as foreign countries- UK, Vietnam.
Creative teams
- Symphony Orchestra conducted by Eduard Nam
- female choir conducted by Svetlana Fedotova
- mixed academic choir led by Evgenia Kravchenko
- orchestra of folk instruments conducted by Sergei Bryk
- orchestra of Russian folk instruments Kalinushka conducted by Peter Tsokalo
- jazz orchestra conducted by Semena Mazurok
- Brass band (artistic director - D. Ivanov)
- troupe of modern ballet (director - associate professor E. Petrenko)
- creative team of the Department of Acting Arts (headed by Honored Art Worker of the Russian Federation, laureate of the State Prize of the Russian Federation G. M. Kozlov)
Children's creative teams
- Brass Band of the Musical Lyceum of the Moscow State Conservatory (director - V. I. Semenov)
- Brass Band of the Musical Lyceum of the Moscow State Conservatory "Youth of Magnitogorsk" (headed by V.S. Pankeeva)
- String Orchestra of the Lyceum of the Moscow State Conservatory (director - Honored Artist of the Russian Federation V. S. Vaskevich)
- orchestra of folk instruments of the lyceum of the MaGC - laureate of regional competitions (director - Klimenkov S.A.)
- boys' choir "Solovushki Magnitogorsk" - winner of many international and all-Russian competitions
- Children's Musical Theater of the Lyceum of the Moscow State Conservatory "Piccolo" - laureate of international and all-Russian competitions (headed by N. S. Silagina)
Competitions and festivals
The following competitions and festivals operate on the basis of the Magnitogorsk Conservatory:
- International competition of chamber-ensemble performance. T.A. Gaidamovich (every three years in December)
- International festival-competition of orchestras and ensembles of folk instruments "Europe - Asia" (once every two years in April)
- All-Russian competition of choir conductors named after A. S. G. Eidinova (every five years in April)
- All-Russian competition of performers on wind and percussion instruments "Ural Fanfares" (every three years in March)
- Regional competition of open lessons "Panorama of pedagogical achievements" of students of cultural and art institutions and young teachers of children's music schools and children's art schools (annually in October)
Personnel composition
Notable teachers
Distinguished Alumni
Museum of Musical Culture of Magnitogorsk
The number of exhibits in the museum funds is 6674 items. ridge In 2011, 3 new expositions were prepared: in memory of the pianist V.P. Galitsky, in honor of the 100th anniversary of the People's Artist of the RSFSR S.G. Eidinov, in honor of the 100th anniversary of the pianist-teacher N.M. Amnuel.
About 9,000 people visit the museum every year.
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An excerpt characterizing the Magnitogorsk State Conservatory named after M. I. Glinka
Among the people being sorted out for the subject of conversation, Julie's society fell on the Rostovs.“Very, they say, their deeds are bad,” said Julie. - And he is so stupid - the count himself. The Razumovskys wanted to buy his house and the suburban area, and all this is dragging on. He is valued.
- No, it seems that the sale will take place one of these days, - someone said. – Although now it’s crazy to buy anything in Moscow.
- From what? Julie said. – Do you really think that there is a danger to Moscow?
- Why are you going?
- I? That's strange. I'm going because ... well, because everyone is going, and then I'm not John d "Arc and not an Amazon.
- Well, yes, yes, give me more rags.
- If he manages to conduct business, he can pay all the debts, - the militia went on about Rostov.
– Kind old man, but very pauvre sire [bad]. And why do they live here for so long? They have long wanted to go to the village. Natalie seems to be well now? Julie asked Pierre with a sly smile.
“They are waiting for a younger son,” said Pierre. - He entered the Obolensky Cossacks and went to Belaya Tserkov. A regiment is formed there. And now they have transferred him to my regiment and are waiting every day. The count has long wanted to go, but the countess will never agree to leave Moscow until her son arrives.
- I saw them the third day at the Arkharovs. Natalie got prettier and happier again. She sang one romance. How easy it is for some people!
- What's going on? Pierre asked indignantly. Julie smiled.
“You know, Count, that knights like you only exist in the novels of Madame Suza.
What knight? From what? – blushing, asked Pierre.
- Well, come on, dear count, c "est la fable de tout Moscou. Je vous admire, ma parole d" honneur. [All Moscow knows this. Really, I'm surprised at you.]
- Fine! Fine! the militiaman said.
- Well, OK. You can't say how boring!
- Qu "est ce qui est la fable de tout Moscou? [What does all of Moscow know?] - Pierre said angrily, getting up.
- Come on, Count. You know!
“I don’t know anything,” said Pierre.
- I know that you were friendly with Natalie, and therefore ... No, I am always friendly with Vera. Cette chere Vera! [That sweet Vera!]
- Non, madame, [No, madam.] - Pierre continued in an unhappy tone. - I did not take on the role of the knight of Rostov at all, and I have not been with them for almost a month. But I don't understand cruelty...
- Qui s "excuse - s" accuse, [Whoever apologizes, he blames himself.] - Julie said smiling and waving lint, and in order for her to have the last word, she immediately changed the conversation. - What is it like, I found out today: poor Marie Volkonskaya arrived in Moscow yesterday. Did you hear she lost her father?
- Really! Where is she? I would very much like to see her,” said Pierre.
“I spent the evening with her last night. Today or tomorrow morning she is going to the suburbs with her nephew.
- Well, how is she? Pierre said.
Nothing, sad. But do you know who saved her? It's a whole novel. Nicholas Rostov. She was surrounded, they wanted to kill her, her people were wounded. He rushed and saved her...
“Another novel,” said the militiaman. - Decisively, this general flight is made so that all the old brides get married. Catiche is one, Princess Bolkonskaya is another.
“You know that I really think she is un petit peu amoureuse du jeune homme. [slightly in love with the young man.]
- Fine! Fine! Fine!
- But how can I say it in Russian? ..
When Pierre returned home, he was served two posters of Rostopchin brought that day.
The first said that the rumor that Count Rastopchin was forbidden to leave Moscow was unfair and that, on the contrary, Count Rostopchin was glad that ladies and merchant wives were leaving Moscow. “Less fear, less news,” the poster said, “but I answer with my life that there will be no villain in Moscow.” These words for the first time clearly showed Pierre that the French would be in Moscow. The second poster said that our main apartment is in Vyazma, that Count Wittgsstein defeated the French, but that since many residents want to arm themselves, there are weapons prepared in the arsenal for them: sabers, pistols, guns, which residents can get at a cheap price. The tone of the posters was no longer as playful as in Chigirin's previous conversations. Pierre thought about these posters. Obviously, that terrible thundercloud, which he called upon with all the forces of his soul, and which at the same time aroused involuntary horror in him, - obviously, this cloud was approaching.
"Enroll in military service and go to the army or wait? - Pierre asked himself this question for the hundredth time. He took a deck of cards lying on his table and began to play solitaire.
“If this solitaire comes out,” he said to himself, mixing the deck, holding it in his hand and looking up, “if it comes out, then it means ... what does it mean? .. - He did not have time to decide what it means, when a voice the eldest princess, asking if it is possible to enter.
“Then it will mean that I have to go to the army,” Pierre finished to himself. “Come in, come in,” he added, turning to the princes.
(One older princess, with a long waist and a petrified lead, continued to live in Pierre's house; two younger ones got married.)
“Forgive me, mon cousin, that I came to you,” she said in a reproachfully agitated voice. “After all, we must finally decide on something!” What will it be? Everyone has left Moscow, and the people are rioting. What are we left with?
“On the contrary, everything seems to be going well, ma cousine,” said Pierre with that habit of playfulness that Pierre, who always embarrassedly endured his role as a benefactor in front of the princess, learned to himself in relation to her.
- Yes, it's safe ... good well-being! Today Varvara Ivanovna told me how different our troops are. Certainly an honor to ascribe. Yes, and the people completely rebelled, they stop listening; my girl and she became rude. So soon they will beat us. You can't walk on the streets. And most importantly, today the French will be here tomorrow, what can we expect! I ask one thing, mon cousin, - said the princess, - order me to be taken to Petersburg: whatever I am, but I cannot live under Bonaparte power.
“Come on, ma cousine, where do you get your information from?” Against…
“I will not submit to your Napoleon. Others, as they wish ... If you do not want to do this ...
- Yes, I will, I will order now.
The princess, apparently, was annoyed that there was no one to be angry with. She, whispering something, sat down on a chair.
“But you are being misreported,” said Pierre. Everything is quiet in the city, and there is no danger. So I was reading now ... - Pierre showed the posters to the princess. - The count writes that he answers with his life that the enemy will not be in Moscow.
“Ah, this count of yours,” the princess spoke angrily, “this is a hypocrite, a villain who himself set the people to rebel. Didn't he write in these stupid posters that whatever it was, drag him by the crest to the exit (and how stupid)! Whoever takes, he says, honor and glory. That's where he messed up. Varvara Ivanovna said that she almost killed her people because she spoke French ...
“But it’s so ... You take everything to heart very much,” said Pierre and began to play solitaire.
Despite the fact that the solitaire converged, Pierre did not go to the army, but remained in deserted Moscow, still in the same anxiety, indecision, in fear and together in joy, expecting something terrible.
The next day, the princess left in the evening, and his commander-in-chief came to Pierre with the news that the money he required for uniforming the regiment could not be obtained unless one estate was sold. The commander-in-chief generally represented to Pierre that all these undertakings of the regiment were supposed to ruin him. Pierre could hardly hide his smile, listening to the manager's words.
“Well, sell it,” he said. “What can I do, I can’t refuse now!”
The worse the state of all affairs, and especially his affairs, the more pleasant it was for Pierre, the more obvious it was that the catastrophe for which he was waiting was approaching. Already almost none of Pierre's acquaintances was in the city. Julie has gone, Princess Mary has gone. Of close acquaintances, only the Rostovs remained; but Pierre did not go to them.
On this day, Pierre, in order to have fun, went to the village of Vorontsovo to watch a large balloon that Leppich was building to destroy the enemy, and a trial balloon that was supposed to be launched tomorrow. This ball was not yet ready; but, as Pierre learned, it was built at the request of the sovereign. The sovereign wrote to Count Rostopchin about this ball as follows:
"Aussitot que Leppich sera pret, composez lui un equipage pour sa nacelle d" hommes surs et intelligents et depechez un courrier au general Koutousoff pour l "en prevenir. Je l "ai instruit de la chose.
Recommandez, je vous prie, a Leppich d "etre bien attentif sur l" endroit ou il descendra la premiere fois, pour ne pas se tromper et ne pas tomber dans les mains de l "ennemi. Il est indispensable qu" il combine ses mouvements avec le general en chef.
[As soon as Leppich is ready, make a crew for his boat from loyal and intelligent people and send a courier to General Kutuzov to warn him.
I informed him about it. Please inspire Leppich to pay careful attention to the place where he will descend for the first time, so as not to make a mistake and not fall into the hands of the enemy. It is necessary that he consider his movements with the movements of the commander-in-chief.]
Returning home from Vorontsovo and driving along Bolotnaya Square, Pierre saw a crowd at the Execution Ground, stopped and got off the droshky. It was the execution of a French chef accused of espionage. The execution had just ended, and the executioner was untying a pitifully groaning fat man with red sideburns, blue stockings and a green jacket from the mare. Another criminal, thin and pale, was standing right there. Both, judging by their faces, were French. With a frightened, painful look, similar to that of a thin Frenchman, Pierre pushed his way through the crowd.
- What is it? Who? For what? he asked. But the attention of the crowd - officials, bourgeois, merchants, peasants, women in coats and fur coats - was so eagerly focused on what was happening at the Execution Ground that no one answered him. The fat man got up, frowning, shrugged his shoulders and, obviously wanting to express firmness, began to put on his doublet without looking around him; but suddenly his lips trembled, and he wept, angry with himself, as adult sanguine people weep. The crowd spoke loudly, as it seemed to Pierre, in order to drown out the feeling of pity in itself.
- Someone's cook is princely ...
“What, Monsieur, it’s clear that the Russian sauce was sour for the Frenchman ... he set his mouth on edge,” said the wrinkled clerk, who was standing next to Pierre, while the Frenchman began to cry. The clerk looked around him, apparently expecting an assessment of his joke. Some laughed, some fearfully continued to look at the executioner, who was undressing another.
Founded in 1946, the Nizhny Novgorod Conservatory (until 1990 - the Gorky State Conservatory) almost immediately took the place of one of the best music universities in the country. First of all, this is the merit of a wonderful team of teachers - graduates of the Moscow and Leningrad Conservatories, by the time the work began, already well-known performing musicians and competent theorists.
At the origins
The whole world knows these names: A. P. Stogorsky, I. V. Sposobin, A. A. Kasyanov, B. S. Veprinsky, S. L. and A. L. Lazerson, N. N. Poluektova, D. V. Zhitomirsky, M. V. Tropinskaya, G. R. Ginzburg, M. S. Pekelis, Ya. I. Zak, Ya. V. Flier, V. A. Shcherbinin, V. P. Portugalov, and O. K. Eiges , A. V. Broun, A. A. Nesterov, B. S. Marants, I. I. Kats, I. B. Gusman. It was they who raised the educational level, which the Nizhny Novgorod Conservatory maintains to this day.
It is hardly possible to find a more authoritative musical and public figure, who was the first rector - A. A. Kogan, who was replaced in this post in 1950 by the most excellent musicologist and pianist G. S. Dombaev, who also turned out to be an excellent organizer. His initiatives in every possible way helped the university to remain among the leading ones and every year to take an increasingly worthy place. The Nizhny Novgorod Conservatory in 1957 received the honorary name of the composer M.
Climb
By the 1960s, excellent musical traditions had developed at the conservatory, supporting pedagogical schools were created, and in 1965 a system of further education - postgraduate education - began to work. A little earlier, the Nizhny Novgorod Conservatory decorated its Grand Concert Hall with an organ of the German company "Alexander Schuke", students received an increasingly convenient building for classes and new hostels.
The organ in the hall of the Nizhny Novgorod Conservatory did not stand idle. Lessons in the class of the Honored Artist of the USSR, Professor G. I. Kozlova were extremely popular, many people wanted to get into her class. And, of course, not only to her. But the Nizhny Novgorod State Conservatory has always had a very large competition for applicants. Teachers of all directions worked exceptionally hard, their students had no equal at all-Union competitions and festivals of contemporary music. This was shown especially well by the D. D. Shostakovich Festival in 1964.
Theorists
Twenty-one years, since 1972, the Nizhny Novgorod Conservatory. Glinka flourished under the guidance of a well-known composer, professor. The composition department shone especially brightly during these years, the strongest musicological school was formed here, collections of articles and scientific works were published that became universally known: "Problems of Contemporary Music", "Problems of Music Analysis" and many others. One of the most interesting areas for Nizhny Novgorod musicians has been developing rapidly - this is musicology. The faculty turned out to be a pioneer in many ways.
In the seventies, the Great Concert Hall of the Gorky Conservatory presented mankind with the first performances of Schnittke's works, the sacred music of Rachmaninoff, the music of Kastalsky, Chesnokov, and also some Western composers. Each such concert was a discovery and confirmed the general opinion about this university as a bold and honest pioneer of both forbidden masterpieces and undeservedly forgotten authors.
new time
Since 1994, the staff of the conservatory has elected an outstanding conductor, People's Artist of Russia and honorary citizen of Nizhny Novgorod, Professor L.K. Sivukhin, as rector. It was then that the university entrusted to him acquired extensive ties with music universities abroad and an international status. Now students and interns from Syria, Japan, France, Denmark, China, the USA, Jamaica study at the conservatory.
In 1996, the conductor and composer, Honored Art Worker, People's Artist of Russia, member of the Academy of Humanities, winner of many awards and holder of orders, Professor E. B. Fertelmeister, headed the NNGK. Since that moment, the development of the university has flowed in all directions, and integration into the musical culture of the world has acquired a new pace. The authority of NNGK has increased significantly, and in 2005 the university receives the status of an academy. The conservatory has also changed externally: the façade, walls, and interiors have become modern, but the atmosphere of creative coziness, created initially, has been preserved in its entirety.
Areas of activity
Now NNGK is the largest center of musical culture of the entire Volga region, providing the federal district with musical, educational, and scientific activity, which has been repeatedly awarded with various grants: the Humanitarian Science Foundation of Russia, the Open Society Institute, the Goethe-Institut, as well as DAAD scholarships and many others. In addition, NOGC receives additional financial support from the state. This makes it possible to financially support the teaching and accompanist staff, to intensify their creative activity.
Specialists receive higher education in two areas: "education and pedagogy" and "culture and art", which include nine specialties and fourteen specializations. Programs of postgraduate vocational education: postgraduate studies in the specialties of creative, performing and scientific - "musical art".
Innovation
the best educational programs Innovative Russia were recognized as those implemented in NOGK, among them the following:
- Instrumental performance program: piano, organ; orchestral percussion and wind instruments; orchestral string instruments, orchestral folk instruments (department of folk instruments).
- Vocal art programs: folk singing, academic singing.
- Conducting programs: opera and symphony orchestra, academic choir, military brass band.
More than seven hundred students study at the Nizhny Novgorod Conservatory, seventy graduate students and applicants for titles. Time requires innovations, and they are widely implemented. New faculties and specialties were opened: "acting art", "musical sound engineering", "musical pedagogy". New is the specialization of opera and symphony conducting, the directions "musical and applied art" and "musicology", the profiles "music journalism in the media", "musicology" and "musical pedagogy".
Conditions of education
Students study in fairly comfortable conditions that allow them to fully immerse themselves in creativity: rehearsal facilities, a publishing complex, a library, a recording studio, hostels - all this accompanies the accumulation of theoretical knowledge and purely professional skills. Great opportunities for improving performance skills. More than two hundred teachers of the highest qualification support the desire of students to receive a truly higher musical education, no matter what type of musical activity they choose: performing solo, conducting, ensemble, orchestral.
Faculty of Advanced Studies and additional education helps young professionals in their future activities. In addition to traditional programs, they provide training for music lecturers, critics-journalists for the media, radio and TV editors. Young specialists are also supported by a special department that promotes the employment of NOGC graduates, which holds a specialist fair for employers and job seekers. In addition, during the training, all students are engaged in educational activities, which, of course, helps them gain experience: performing, lecturing and concert. NNGK students also constantly participate in professional competitions of various levels, up to the highest.
The science
No serious scientific research that are carried out at the university, the authority of the NOGK would not have such a height. Our own musicological school, unique and highly professional, based on an interdisciplinary approach to science, is notable for its invariable interest in the problems of contemporary music. The Nizhny Novgorod Conservatory, the address of whose concert halls is known to everyone from young to old in the city and the region, in addition to educational activities, works a lot for fellow specialists.
Musicologists from Nizhny Novgorod prepare textbooks for music universities and successfully publish them together with illustrative material, as this is allowed by their own publishing house and recording studio. Monographs, collections of articles written by teachers of performing departments are published, conference materials are also published, many methodological and study guides. In Russian culture, every event held by NNGK becomes a noticeable phenomenon: scientific and artistic projects, concert cycles, scientific conferences, publications and art exhibitions.
International activity
The international prestige of the conservatory is constantly and steadily growing, since the activities in this direction are large-scale and multifaceted. Creative contacts between NNGK and universities in Austria, Germany, China and other countries are regular. Cooperation agreements have been signed with many of them. Constant exchanges of visits, creative meetings. Students, interns and graduate students from Mongolia, Korea, China, Serbia, Belgium, Austria, and France study together with the Russians.
Joint festivals are held according to agreements: Folkwang-Hochschule (Germany) has been cooperating with NNGK since 1996, exchanging joint master classes and concert cycles of students, graduate students and teachers within the framework of this cooperation; since 1998, under an agreement, has been undertaking joint musical events with the NNGK Bruckner Conservatory (Austria); Essen hosts a festival prepared by NNGK teachers - "Music of the outgoing century", as well as many other international scientific and artistic projects. NNGK receives guests from the Parisian high school music, the Grand Opera and the Metropolitan Opera (USA).
In Russia
In NNGK, there is a huge percentage of concert musicians among the teaching staff. Even when they go international, they maintain traditional ties with colleagues from music schools, colleges, schools of the country, where Nizhny Novgorod musicians hold master classes, competitions, seminars, open lessons, competitions and, of course, concerts.
That is why the competition for applicants is consistently high, and the geography of applicants covers almost our entire vast country. As already mentioned, after graduation, graduates do not remain without help. Education at NNGK was initially included in the urban cultural environment: students give concerts within the walls of the conservatory itself, in two excellent halls, and strengthen the authority of the Nizhny Novgorod performing school, touring extensively and successfully.
Level of training
More than seven thousand NNGK graduates work in all major cities of Russia, in the USA, Great Britain, Australia, Japan, Israel, Germany, Switzerland, Holland, adequately representing the Nizhny Novgorod school of music. They also make up the musical elite of the city: the pedagogical and creative basis of the conservatory, the philharmonic society, the music college, the opera house, the choir college, schools and lyceums.
The quality of training of specialists is confirmed by the numerous victories of students and graduate students in various professional competitions. It is difficult to even list the most prestigious of them, since the list is long:
- All-Russian competition (Moscow, repeatedly).
- International Piano Competition (Germany).
- "In the homeland of Tchaikovsky" (Izhevsk).
- Competition named after Nesterov (Nizhny Novgorod, wind and percussion instruments).
- "Silver Sounds" (Petrozavodsk).
- "Pearl of Kuban" (Krasnodar).
- Vila Lobos Competition (Spain, classical guitar).
- "Prikamye-2010" (Perm, folk instruments).
- "Russian Olympus" (Nizhny Novgorod, repeatedly).
- (Ukraine, button accordion, accordion).
- International Competition "Volga Blizzard" (Samara, opera singing).
- International competition "Orpheus" (Volgograd, vocal).
- Jurgenson International Competition (composition).
- All-Russian competition (Bashkiria, choral conducting).
- All-Russian choral competition "Russian music of the 19th century".
- All-Russian competition scientific works students
- All-Russian competition named after Babushkin (Moscow, creative work sound engineers).
Well deserved perks
NNGK is a constant initiator and excellent organizer of professional competitions in all specialties in the field of music among the younger generation. Especially it is necessary to note the traditionally strongest competitions in the history and theory of music.
In 2012, the Olympiad held by NNGK was included in the list of leading Olympiads held under the Union of Rectors of the Ministry of Education of Russia. The status of such events allows the winners and prize-winners to bypass entrance exams when entering the conservatory.
Faculties
Piano performance has always been the main and leading specialty since the founding of the university. There are five departments at the piano faculty: two special piano, chamber ensemble, concertmaster skills, as well as a harpsichord and organ section.
The orchestral faculty has also existed since the very first day of the opening of the conservatory. There are three departments: strings, woodwinds, as well as brass and percussion instruments.
There is only one department at the faculty, such a structure has the Nizhny Novgorod Conservatory. Glinka. The bayan faculty is not separately present in it, but the specialization itself, of course, exists within the boundaries of this department. There are two departments at the vocal faculty - solo singing and the department of musical theater. The Faculty of Conducting teaches choral conducting and opera and symphony at two departments. Composer-musicological faculty owns six departments. Among them are compositions and instrumentations; music theory; music history; sound engineering; music journalism; music pedagogy. In addition, NNGK has a faculty for advanced training and five general university departments.
Addresses
Applicants submit documents to the address: Piskunova street, house 40. You can first make inquiries by calling 8-831-411-88-78. The admission committee has been working since June 20 in room 105 on the first floor from 9.00 to 17.00, with a lunch break from 12.00 to 13.00. The hostel is located at the address: Genkina street, house 71. Phone: 8-831-432-25-72.
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